Discipline
* DRUNKEN MONKEY *
   
Posts: 11900
Registered: 9-8-2004
Location: Over here
Member Is Offline
Mood: The Alley Dukes
|
|
Made In Britain
I heard for years how great this movie is, how it's one of the best skinhead movies ever, blah blah blah.
Finally saw it today. Don't really see what's that great about it.
‘Do you know what a love letter is? It’s a bullet from a fucking gun. Straight through your heart.’
|
|
|
gavin
Posting Freak
   
Posts: 3973
Registered: 1-15-2005
Member Is Offline
|
|
saw it
its ok
me and tim roth almost had some "issues" once
i own the box set of all alan clarkes movies
you come at the king....you best not miss
|
|
|
newbreedbrian
Posting Freak
   
Posts: 2616
Registered: 9-2-2004
Location: Hell
Member Is Offline
Mood: doc watson
|
|
tim roth is absolutely great in it. i've always felt it suffered from some editing problems and it should be longer. he definately carries the movie
The very existence of flamethrowers proves that sometime, somewhere, someone said to themselves, ?You know, I want to set those people over there on
fire, but I?m just not close enough to get the job done.? George Carlin
|
|
|
random
Posting Freak
   
Posts: 2293
Registered: 7-30-2006
Member Is Offline
|
|
Still haven't seen it, but I've noticed that most of the skinhead-related books, movies, etc tend to come with really low expectations, so it's not
hard to go above and beyond expectations. Hell, most of us just seem happy and impressed when there's a skinhead that's not a nazi.
And even if it's not so great, it may very well be one of the best skinhead movies ever. American History X was pretty weak. Romper Stomper is
notable only for Russell Crowe and that song that's been covered a bunch of times. Nobody ever talks about The Believer, which was actually a decent
movie. What else is there? I've heard some arguments about Clockwork Orange being influenced by skinheads (most the outfits and "aggro", which is a
term I find retarded). Some crappy documentaries like the HBO one with Bill Riccio, or Blood in the Face (which is one of the early movies Michael
Moore worked on... you can notice him interviewing some old fucking racists in one scene).
|
|
|